Bartolomeu de Gusmão

Terrace Suite

The biggest, the priciest and the brashest doesn’t necessarily equal the best when it comes to suites. Palácio Belmonte and its eleven suites retreat gets top marks for its incredible, eclectic interiors and the Gusmão suite gets a particular mention due to its private terrace.


Named by Condé Nast one of the most beautiful suites in
the world, an experience of unique exquisiteness and
luxury in the heart of Lisbon.

About the Suite

Named by Condé Nast one of the most beautiful suites in the world, this 3 level double suite inside one of the VIII century Muslim towers has a superb terrace with an expansive view over Alfama and the river Tejo and a very rare octagonal living room with vaulted ceiling and original XVIII century azulejo (tile) panels. Room and marble bathroom also with river view. Area 110 sqm.

Beds: Double bed or two singles
Occupancy: 2 guests
Size: 110 sqm
View: City, River, Alfama bairro.

Price: 1.200,00€/night with complementary breakfast and VAT included (City tax – 2€/person/day not included).
Special holidays: S. Valentines, Easter and Christmas holidays an extra cost of 100€ per suite will be applied.

Inspiring… Bartolomeu de Gusmão

Bartolomeu Lourenço de Gusmão (born in São Paulo, Brazil, in 1685,  died in Toledo, Spain, in 1724), was a Portuguese (Brazil was still a colony) priest and naturalist, noted for his early work on lighter-than-air airship design.

Gusmão began his novitiate in the Society of Jesus at Bahia when he was about fifteen years old, but left the order in 1701. He went to Portugal and found a patron at Lisbon in the person of the Marquis of Abrantes. He completed his course of study at the University of Coimbra, devoting his attention principally to philology and mathematics, but received the title of Doctor of Canon Law (related to Theology). He is said to have had a remarkable memory and a great command of languages.

In 1709 he presented a petition to King John V of Portugal, seeking royal favour for his invention of an airship, in which he expressed the greatest confidence. The contents of this petition have been preserved, together with a picture and description of his airship. Developing the ideas of Francesco Lana de Terzi, S.J., Gusmão wanted to spread a huge sail over a boat-like body like the cover of a  wagon; the boat itself was to contain tubes through which, when there was no wind, air would be blown into the sail by means of bellows. The vessel was to be propelled by the agency of magnets which were to be encased in two hollow metal balls. The public test of the machine, which was set for June 24, 1709, did not take place.

It is known that Gusmão was working on this principle at the public exhibition he gave before the Court on August 8, 1709, in the hall of the Casa da Índia in Lisbon, when he propelled a ball to the roof by combustion. The king rewarded the inventor by appointing him to a professorship at Coimbra and made him a doctor. He was also one of the fifty selected as members of the Academia Real de História, founded in 1720; and in 1722 he was made chaplain to the Court. Gusmão also busied himself with other inventions, but in the meantime continued his work on his airship schemes, the idea for which he is said to have conceived while a novice at Bahia. His experiments with designs for an aeroplane and a hot air balloon led him to conceive a project for an actual airship, or rather a ship to sail in the air, consisting of a triangular gas-filled pyramid, but he died before he was able to build a craft to this design.

One account of Gusmão’s work suggests that the Portuguese Inquisition forbade him to continue his aeronautic investigations and persecuted him because of them, but this is probably a later invention. It dates however from at least the end of the 18th century, as the following article in the London Daily Universal Register(later The Times) of October 20, 1786, makes clear:

“By accounts from Lisbon we are assured, that in consequence of the experiments made there with the Montgolfier balloon, the literati of Portugal had been incited to make numerous researches on the subject; in consequence of which they pretend that the honour of the invention is due to Portugal. They say that in 1720, a Brazilian Jesuit, named Bartholomew Gusmao, possessed of abilities, imagination, and address, by permission of John V. fabricated a balloon in a place contiguous to the Royal Palace, and one day, in presence of their Majesties, and an immense crowd of spectators, raised himself, by means of a fire lighted in the machine, as high as the cornice of the building; but through the negligence and want of experience of those who held the cords, the machine took an oblique direction, and, touching the cornice, burst and fell.

The balloon was in the form of a bird with a tail and wings. The inventor proposed to make new experiments, but, chagrined at the raillery of the common people, who called him wizzard, and terrified by the Inquisition, he took the advice of his friends, burned his manuscripts, disguised himself, and fled to Spain, where he soon after died in an hospital.

They add, that several learned men, French and English, who had been at Lisbon to verify the fact, had made enquiries at the Carmelite monastery, where Gusmao had a brother, who had preserved some of his manuscripts on the manner of constructing aerostatic machines. Various living persons affirm that they were present at the Jesuit’s experiments, and that he received the surname of Voador, or Flying-man.”

Contemporary documents do attest that information was laid before the Inquisition against Gusmão, but on quite another charge. The inventor fled to Spain and fell ill of a fever, of which he died in Toledo. He wrote: Manifesto summario para os que ignoram poderse navegar pelo elemento do ar (Short Manifesto for those who are unaware that is possible to sail through the element air, 1709); and Varios modos de esgotar sem gente as naus que fazem agua (Several ways of draining, without people, ships that leak water, 1710); some of his sermons also have been printed.

A suite with unique and rare features, XVIII century “azulejo”
tile panels, an octagonal living room and vaulted ceiling, on top
of an VIII century Muslim tower.

Book the Bartolomeu de Gusmão suite

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A magical three level double suite uniquely renewed and
modernly designed, and with a breathtaking view that bring
many to relive these moments from time-to-time…

Moments that last forever

A double suite with incredible natural light, a bedroom, a very large living room with a “caixotão” style ceiling, a bathroom with a view, and a terrace with views over the Tejo River, our garden, the Alfama bairro rooftops and city life, and a magnificent cinematic sunrise that will take your breath away…